Συναγωνίζεσθαι: Studies in Honour of Guido Avezzù. Vol. 1.2

Authors

Silvia Bigliazzi (ed)
Francesco Lupi (ed)
Gherardo Ugolini (ed)

Synopsis

Συναγωνίζεσθαι, the ancient Greek verb chosen as the title of this volume, belongs to the jargon of dramaturgy as employed by Aristotle inPoetics, where he emphasizes the function of the Chorus as an active co-protagonist in the dynamics of drama. Here it suggests the collaborative nature of this Festschrift offered to Guido Avezzù in the year of his retirement by friends and colleagues. The volume collects a wide selection of contributions by international scholars, grouped into four sections: Greek Tragedy (Part 1), Greek Comedy (Part 2), Reception (Part 3), and Theatre and Beyond (Part 4).

The Authors. A. Andrisano, P. Angeli Bernardini, A. Bagordo, A. Bierl, S. Bigliazzi, M.G. Bonanno, S. Brunetti, D. Cairns, G. Cerri, V. Citti, A.T. Cozzoli,F. Dall’Olio, M. Di Marco, M. Duranti, S. Fornaro, A. Grilli, S. Halliwell,E.M. Harris, O. Imperio, P. Judet de La Combe, W. Lapini, V. Liapis,L. Lomiento, F. Lupi, A. Markantonatos, G. Mastromarco, E. Medda,F. Montana, F. Montanari, C. Neri, E. Nicholson, R. Nicolai, H. Notsu,G. Paduano, N. Pasqualicchio, M.P. Pattoni, A. Provenza, J. Redondo,A. Scafuro, S.L. Schein, A. Sidiropoulou, R. Tosi, P. Totaro, M. Treu,M. Tulli, G. Ugolini, P. Volpe, M. Zanolla

Chapters

  • Tragic and Paratragic Elements in Longus’ Daphnis and Chloe
    Maria Pia Pattoni
  • Il Ciclope: un mostro tra antico e moderno
    Paola Volpe
  • Finding Room for Satyrs at the Theatrical Table, from Ancient to Modern Times
    Eric Nicholson
  • Oedipus Tyrant? Tyranny and Good Kingship in Alexander Neville’s Translation of Seneca’s Oedipus
    Francesco Dall'Olio
  • Euripidean Ambiguities in Titus Andronicus: the Case of Hecuba
    Silvia Bigliazzi
  • On the Sources of Petros Katsaïtis’ Iphigenia (1720): Between Lodovico Dolce, Molière, and the Commedia dell’Arte
    Vayos Liapis
  • Il Genio della tragedia. Antigone nel Vorspiel di Hofmannsthal
    Gherardo Ugolini
  • Fascism on Stage? Jean Anouilh’s Antigone (1944)
    Douglas Cairns
  • Negotiating Oblivion: Twenty-First Century Greek Performances of Ancient Greek Plays
    Avra Sidiropoulou
  • ‛Guidaci a passo di danza’. Cori comici sulla scena
    Martina Treu
  • Miyagi’s Antigones
    Adele Scafuro, Hiroshi Notsu
  • Symmachos esso: Theatrical Role-Playing and Mimesis in Sappho fr. 1 V.
    Anton Bierl
  • La casa dei belli (Asclepiade AP 5.153)
    Walter Lapini
  • Plato’s κάλλιστον δρᾶμα in Greek Biography
    Mauro Tulli
  • Il coraggio di tradire per poter tramandare: un allestimento contemporaneo del Gysbreght van Aemstel di Joost van den Vondel
    Simona Brunetti
  • Piano d’evasione: carcere e utopia negli Shakespeare della Compagnia della Fortezz
    Nicola Pasqualicchio
  • Il giovane rapsodo nella Stanza della Segnatura di Raffaello
    Sotera Fornaro
  • The Authors
    Silvia Bigliazzi, Francesco Lupi, Gherardo Ugolini
  • Appendix. Guido Avezzù’s Publications (1973-2018)
    Silvia Bigliazzi, Francesco Lupi, Gherardo Ugolini
Cover for Συναγωνίζεσθαι: Studies in Honour of Guido Avezzù. Vol. 1.2
Published
December 20, 2018