Συναγωνίζεσθαι: Studies in Honour of Guido Avezzù. Vol. 1.2
Synopsis
Συναγωνίζεσθαι, the ancient Greek verb chosen as the title of this volume, belongs to the jargon of dramaturgy as employed by Aristotle inPoetics, where he emphasizes the function of the Chorus as an active co-protagonist in the dynamics of drama. Here it suggests the collaborative nature of this Festschrift offered to Guido Avezzù in the year of his retirement by friends and colleagues. The volume collects a wide selection of contributions by international scholars, grouped into four sections: Greek Tragedy (Part 1), Greek Comedy (Part 2), Reception (Part 3), and Theatre and Beyond (Part 4).
The Authors. A. Andrisano, P. Angeli Bernardini, A. Bagordo, A. Bierl, S. Bigliazzi, M.G. Bonanno, S. Brunetti, D. Cairns, G. Cerri, V. Citti, A.T. Cozzoli,F. Dall’Olio, M. Di Marco, M. Duranti, S. Fornaro, A. Grilli, S. Halliwell,E.M. Harris, O. Imperio, P. Judet de La Combe, W. Lapini, V. Liapis,L. Lomiento, F. Lupi, A. Markantonatos, G. Mastromarco, E. Medda,F. Montana, F. Montanari, C. Neri, E. Nicholson, R. Nicolai, H. Notsu,G. Paduano, N. Pasqualicchio, M.P. Pattoni, A. Provenza, J. Redondo,A. Scafuro, S.L. Schein, A. Sidiropoulou, R. Tosi, P. Totaro, M. Treu,M. Tulli, G. Ugolini, P. Volpe, M. Zanolla
ISBN 978-88-6464-503-2
Chapters
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Tragic and Paratragic Elements in Longus’ Daphnis and Chloe
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Il Ciclope: un mostro tra antico e moderno
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Finding Room for Satyrs at the Theatrical Table, from Ancient to Modern Times
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Oedipus Tyrant? Tyranny and Good Kingship in Alexander Neville’s Translation of Seneca’s Oedipus
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Euripidean Ambiguities in Titus Andronicus: the Case of Hecuba
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On the Sources of Petros Katsaïtis’ Iphigenia (1720): Between Lodovico Dolce, Molière, and the Commedia dell’Arte
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Il Genio della tragedia. Antigone nel Vorspiel di Hofmannsthal
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Fascism on Stage? Jean Anouilh’s Antigone (1944)
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Negotiating Oblivion: Twenty-First Century Greek Performances of Ancient Greek Plays
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‛Guidaci a passo di danza’. Cori comici sulla scena
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Miyagi’s Antigones
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Symmachos esso: Theatrical Role-Playing and Mimesis in Sappho fr. 1 V.
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La casa dei belli (Asclepiade AP 5.153)
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Plato’s κάλλιστον δρᾶμα in Greek Biography
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Il coraggio di tradire per poter tramandare: un allestimento contemporaneo del Gysbreght van Aemstel di Joost van den Vondel
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Piano d’evasione: carcere e utopia negli Shakespeare della Compagnia della Fortezz
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Il giovane rapsodo nella Stanza della Segnatura di Raffaello
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The Authors
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Appendix. Guido Avezzù’s Publications (1973-2018)
